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$3.60The Story
DISGRACE: Feminism and the Political Right explores the history of conservative feminism in the UK from the Edwardian period to today.
The book centres around a timeline created by 12 etchings, with three essays covering what the artists have identified as three significant time periods, mapping the connections between the various historical manifestations of conservative feminism that lead to the current moment. An essay by Akanksha Mehta, a lecturer in Gender, Sexuality, and Cultural Studies and the co-director of the Centre for Feminist Research at Goldsmiths, considers the nature of the womenâs suffrage movement, focusing on the relationship between the suffragettes and eugenics discourse. A polemical text by Lola Olufemi, a black feminist writer and organiser with the London Feminist Library, questions the womenâs liberation movement and âsex warsâ of the mid 20th century. In the final essay â alongside etchings exploring âfree-market feminismâ, Theresa Mayâs âWomen2Winâ campaign and the proliferation of transphobic rhetoric â writer, filmmaker and journalist Juliet Jacques uses Caryl Churchillâs innovative 1982 play âTop Girlsâ to trace the trajectory of women in power, from Thatcher into the future of feminism.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Description
DISGRACE: Feminism and the Political Right explores the history of conservative feminism in the UK from the Edwardian period to today.
The book centres around a timeline created by 12 etchings, with three essays covering what the artists have identified as three significant time periods, mapping the connections between the various historical manifestations of conservative feminism that lead to the current moment. An essay by Akanksha Mehta, a lecturer in Gender, Sexuality, and Cultural Studies and the co-director of the Centre for Feminist Research at Goldsmiths, considers the nature of the womenâs suffrage movement, focusing on the relationship between the suffragettes and eugenics discourse. A polemical text by Lola Olufemi, a black feminist writer and organiser with the London Feminist Library, questions the womenâs liberation movement and âsex warsâ of the mid 20th century. In the final essay â alongside etchings exploring âfree-market feminismâ, Theresa Mayâs âWomen2Winâ campaign and the proliferation of transphobic rhetoric â writer, filmmaker and journalist Juliet Jacques uses Caryl Churchillâs innovative 1982 play âTop Girlsâ to trace the trajectory of women in power, from Thatcher into the future of feminism.
























